sábado, janeiro 28, 2006

Direito Divino

Oh I remember the words of the misguided fool Do unto others as you'd have them do and not an eye for an eye is the golden rule Just leaves the room full of blind men (Dave Matthews Band - Everybody Wake Up)
O novo filme de Spielberg, Munique, trata sobre uma questão delicada: o terrorismo e as respostas das nações que sofrem esses ataques. Usando o atentado ocorrido nas Olimpíadas de Munique, Spielberg mostra numa versão baseada em fatos reais qual teria sido a resposta de Israel ao ataque. Segundo ordens do governo, é criado um grupo secreto com a missão de exterminar os suspeitos pelo atentado de Munique, e pela morte dos atletas israelenses. Assim, começa a caça Liderada por Avner (Eric Bana). Apesar da idéia sempre presente de que eles estão fazendo a coisa certa, e que eles são Judeus, povo escolhido por Deus para fazer o certo, a cada suspeito eliminado aparecem mais atentados, respotas aos atos do grupo de Avner. E cada um que é morto, aparece um novo, com idéias mais radicais, afinal o último não foi bom o suficiente para permanecer vivo. O filme mostra que nenhum dos lados quer a resolução das disputas ou a paz, querem apenas retaliação, querem vingança, pois se acham no direito de responder dessa forma. Essa crítica pode ser facilmente transplantada para o conflito EUA/Iraque. O atual presidente, George W. Bush, já declarou abertamente que está numa guerra santa contra o terrorismo, e que fará tudo que está ao seu alcance para livrar o mundo daqueles que ele considera perigosos. Os Estados Unidos já deixaram de ser a "terra da oportunidade", ou mesmo "land of the free, home of the brave", agora eles são a polícia mundial, prontos para nos proteger de todos os males, exterminar todas as ameaças que eles julguem importantes. Ainda assim, Spielberg consegue que o filme permaneça razoavelmente neutro, mostrando o ponto de vista dos dois lados. E talvez por isso tenha sido tão criticado até agora, pois nenhum dos lados gostou muito do que viu.

quarta-feira, janeiro 04, 2006

Joss Whedon is my master now

Sim, ele é. Como diz a camiseta que o digníssimo me deu de presente, Joss Whedon é mestre. Esse artigo pro TV Guide é a prova (em especial o último parágrafo...) *** Guest Columnist Joss Whedon Eyes the Future of TV Joss Whedon, creator of Buffy the Vampire Slayer and Firefly, cocreator of Angel Many people have asked me, "Joss, what is the future of television? What will we watch? And how will we watch it? Surely you must know, for you are wise, and slender." I usually smile and say nothing, because I wasn't actually listening to the question. But it's a good one, and I think it's time I let you in on a few highlights of Television-to-Be. The networks will all be creating exciting, innovative new spin-offs of today's shows. Approximately 67 percent of all television will be CSI-based, including CSI: Des Moines, CSI: New York but a Different Part than Gary Sinise Is In and NCSI: SVU WKRP, which covers every possible gruesome crime with a groovin' '70s beat. (Jerry Bruckheimer will also have conquered Broadway with the CSI musical "FOLLICLE!" starring Nathan Lane as a frenetic but lovable blood spatter and Matthew Broderick as lint.) Lost has that one-of-a-kind alchemy that really can't be copied. Therefore, look for the original series Misplaced, as well as Unfound, Not So Much with the Whereabouts and Just Pull Over and Ask! In a stunningly cost-effective move, CBS will air How I Met Your Biological Mother, That Bitch, which is just old episodes of How I Met Your Mother with snarkier narration. HBO's Westminster will continue the trend pioneered by Deadwood and Rome by making 19th-century England really dirty and weird, like Jane Austen with Tourette's. (Actually, I can't wait for that one.) Also, the constant slew of cable mergers will result in the creation of CinePax, a channel that's just very confused about its morals. Every year another film actress gets "too old" for film leads and finds a (sometimes much better) home on TV. This trend will continue a few years hence when the aging but feisty Dakota Fanning headlines CSI: Vancouver Made to Look Like Chicago. Obviously, we'll see advances in technology. TiVo, iPods, streaming video — the way we watch TV is changing dramatically. It's on our phones, in our cars — even projected on specialized eyeglasses. But don't listen to the talk about having shows beamed directly into your brain. That's science-fiction nonsense. Shows will be stored in the pancreas and will enter the brain through the bloodstream after being downloaded into your iHole. And what of me? My short-lived series Firefly was the basis for the epic action film Serenity (now available on DVD! I have little or no shame), and the future will see even more incarnations of this visionary work, as it returns to TV as Serenity: The Firefly Years, then back to film as Firefly: Serenity's Sequel, back to TV as SereniFly, and finally end as the direct-to-eyeglasses series Choose a Damn Name Already. I promise it'll be as heartwarming and exciting as the original Serenity, now available on DVD. (Explain again this thing you call shame....) That's all I can tell you, except for one last thing: Veronica Mars will still be on. Veronica Mars will still be on. We clear about that? Bye-ee!